by Suzán Jiván, Mom
& Mom-Mom Suzán
Stagehands change
the guts of the place
with flywheels and cables
by crunching numbers
with lots of muscle
for precise results
while doing the eye thing
so many have tried
as sure-fire set design
like lines of thought
meandering in anthropomorphic
audiences during a live performance
within orderly auditoriums
ruggedly outdoorsy
yet purporting royalty
as flashes of a talisman
within a labyrinth
of fictionally captive life spans...
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